The Ionic Reactionalization - 786 Words

Name: Kamaal Thomas |Date: January 4, 2011 | |Graded Assignment Lab Report Answer the questions below. When you have finished, submit this assignment to your teacher by the due date for full credit. (8 points) |Score | | | 1. For Part 2: Single-Displacement Reactions: For each of the four single-displacement reactions, describe what happened in each well. If a chemical reaction occurred, write a balanced equation for it. Then using the A, B symbols, write a general equation for a single-displacement reaction. Here are the chemical formulas of the reactants for each reaction: †¢ zinc – Zn copper sulfate – CuSO4 In well 1A there was a chemical reaction which turned†¦show more content†¦Then using the A, B symbols, write a general equation for a double-displacement reaction. Here are the chemical formulas of the reactants for each reaction: †¢ sodium chloride – NaCl copper sulfate – CuSO4 In well 1A there was no chemical reaction between the sodium chloride and copper sulfate. We know this because there was no color change, precipitate formation, or gas production in this mixture. AX + BY → AY + BX NO REACTION †¢ sodium hydroxide – NaOH copper sulfate – CuSO4 In well 2A there was a chemical reaction between the sodium hydroxide and copper sulfate. There was a blue precipitate formation which proves there was a chemical reaction. AX + BY → AY + BX NaOH + CuSO4 → NaSO4 + CuOH †¢ sodium phosphate (trisodium phosphate) – Na3(PO4) copper sulfate – CuSO4 In well 3A there was a chemical reaction between the sodium phosphate and copper sulfate. There was a light blue precipitate formation which proves there was a chemical reaction. AX + BY → AY + BX Na3(PO4) + CuSO4 → Na3SO4 + CuPO4 †¢ sodium chloride – NaCl silver nitrate – AgNO3 In well 4A there was a chemical reaction between the sodium chloride and silver nitrate. There was a white precipitate formation which proves there was a chemical reaction. AX + BY → AY + BX NaCl + AgNO3 → NaNO3 +

Revenge By William Shakespeare s Hamlet, And Sophocles ...

Introduction Revenge has always been an exciting theme to incorporate into any literary work. This revenge adds conflict, action, and contrast to any story. There have been hundreds of thousands of stories and tales which cause readers to experience similar feeling to that of the main characters. With revenge, the reader may side with the main character whether or not the main character is morally right or wrong. By human nature, people around the globe have always been trying their hardest to come out on top in arguments or fights (Price 2009). As humans, they want to win. This is how a story about revenge is so well loved and experienced by many as it relates well with human nature and how a person would react to these situations. It is a natural feeling every single person feels at some point in their lives. Two well-known tales call this vengeful mode of literary artwork their own as they both portray characters who strive for revenge. These stories are Shakespeare’s Hamlet, and Sophoc les’ Antigone. Shakespeare, a very famous playwright created his play with the intention of showing the audience how revenge returns to haunt the vengeful. He also showed how seeking revenge is not the ideal way of dealing with a situation. Sophocles created his play to show how justice can be better and more worthy than just seeking revenge. But he also how to be careful for seeking justice can turn into seeking revenge and a full circle back to the demise of the vengeful as well. There

E.L. Doctorow free essay sample

# 8217 ; s The Waterworks Essay, Research Paper CITY OF THE LIVING DEAD E.L. Doctorow # 8217 ; s The Waterworks mixes a eccentric horror narrative with the sights and sounds of 19th-century Manhattan BY PAUL GRAY A beautiful widow left destitute by the will of her plutocrat hubby. The furtive disinterment of a cadaver while fog whirls in the phosphorescent visible radiation of early morning. A hoarded wealth thorax crammed with hard currency. Innocent kids falling victim to a huffy scientist in chase of the secret of ageless life. A brilliant, tormented immature hero who says things like, # 8220 ; Either I am huffy and should be committed, or the coevalss of Pembertons are doomed. # 8221 ; Now for something genuinely eldritch. These Gothic, melodramatic flourishes appear non in the first chapter of the latest Stephen King novel but instead in E.L. Doctorow # 8217 ; s The Waterworks ( Random House ; 253 pages ; $ 23 ) . This is non wholly unexpected. The writer of such aglow page Turners as Ragtime, World # 8217 ; s Fair and Billy Bathgate has made it a wont to surprise his readers with each new book. We will write a custom essay sample on E.L. Doctorow or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page His cardinal concerns # 8211 ; the ineluctable sway of historical forces, the insidious effects of the powerful upon the powerless # 8211 ; have remained changeless, but he has chosen a assortment of fictional voices and techniques to convey them to life. Even longtime readers, though, are likely to happen The Waterworks Doctorow # 8217 ; s strangest and most debatable innovation so far. The scene is New York City in 1871, although the narrative of what happened there and so is told at an indeterminate subsequently day of the month by a adult male named McIlvaine, who notes, at one point in his narration, # 8220 ; I have to warn you, in all equity, I # 8217 ; m describing what are now the visions of an old man. # 8221 ; A figure of similar cautions are interspersed throughout the narrative, and taken together they add another degree of enigma to the point he makes over and over once more: he has been a informant to horror and lived to state the narrative. Which, possibly, begins as follows. As the metropolis editor of the New York Telegram in April 1871, McIlvaine employs a figure of freelance authors, including his most gifted, Martin Pemberton, the disinherited boy of of the late Augustus Pemberton, a millionaire whose decease and funeral had made the documents the old September. None of the column remarks or public eulogiums mentioned the true beginnings of the old adult male # 8217 ; s luck, although McIlvaine the correspondent knows what they were: Pemberton had run illegal slave ships out of New York seaport, with the collusion of Boss Tweed # 8217 ; s ring, and had besides productively supplied Union military personnels during the Civil War with substandard goods # 8211 ; â€Å"boots that fell apart, covers that dissolved in rain, collapsible shelters that torus at the cringles, and unvarying fabric that bled dye.† Now, Martin Pemberton tells McIlvaine and several others, he has seen his male parent alive, on the streets of Manhattan. The editor at first assumes that the disillusioned immature adult male is talking in metaphor, that he means his male parent # 8217 ; s evil lives on in the predatory metropolis all around them. After Martin drops out of sight, McIlvaine begins to look into and comes to believe the vision could hold been true, that a white Municipal Transport stagecoach might really hold carried old Pemberton and other presumed-deceased rich work forces through the teeming, unmindful streets of Manhattan. McIlvaine imagines Martin # 8217 ; s feeling of the riders: # 8220 ; Their caputs nodded in unison as the vehicle stopped and started and stopped once more in the wedged traffic. # 8221 ; To happen out whether and why the metropolis he loves and thinks he knows includes the life dead, McIlvaine seeks the aid of Edmund Donne, a rare honest captain in the municipal constabulary, which has become, under Tweed, # 8220 ; an organisation of licensed thieves. # 8221 ; The trail these two follow # 8211 ; with powerful forces cabaling against them # 8211 ; leads sinuously through roll uping indignations: unexplained slayings, a cryptic orphanhood, losing 1000000s in heritages and a waterworks North of the metropolis where really unusual things are traveling on. This pursuit is intriguing, although wildly implausible, but McIlvaine makes the worst of a good thing by take a firm standing that what he reports has deductions far beyond its specifics: # 8220 ; I would non hold extended myself now, at my advanced age, if this were merely the uneven newspaper narrative I had for you # 8230 ; of deviant household behaviour. I ask you to believe # 8211 ; I will turn out # 8211 ; that my free-lance, eventually, was merely a newsman conveying the intelligence, like the courier in Elizabethan dramas # 8230 ; # 8221 ; His narrative, the storyteller says several times, is # 8220 ; far more than # 8221 ; the enigma of the Pemberton household. This claim is asserted but neer convincingly shown. The shocking, Poe-like narrative at the centre of the novel does non accomplish the symbolic significance that Doctorow wishes it to hold. It is merely excessively eccentric to stand for # 8211 ; or notice on # 8211 ; anything outside itself, peculiarly the full City of New York and what McIlvaine calls its # 8220 ; churning psyche, writhing and turning over on itself, organizing and re-forming # 8230 ; # 8221 ; The Waterworks is at its best when Doctorow stops McIlvaine # 8217 ; s puffing and whiffing about societal significance and lets him acquire on with the concern of stating an entertaining and sometimes genuinely persistent narrative. 342